120 cm

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  • Les beaux jours (fine weather)

       
    Aubusson tapestry woven in the Henry workshop. With signed label, n°2/6. Circa 1980.
           
  • Kenya

     
     
    Aubusson tapestry woven by the Pinton workshop. With signed label. Circa 1960.
        On returning to France in the 1950’s after a lengthy period spent in Argentina, Berroeta produced  quite a number of cartoons in a style which was first figurative (animals, human figures,...) then turned to abstraction, as in his paintings.   Exotic inspiration is a recurrent theme in Berroeta's work, often in an allusive way: neither the animals nor the plants are definitively identifiable, together, they have an allegorical purpose.  
  • Jumping

          Aubusson tapestry woven by the Four workshop. With signed label, n°EA 1/2. Circa 2000.    
  • Sérénade à la lune (moon serenade)

       
    Aubusson tapestry woven by the Braquenié workshop. N°IV/VI. 1952.
       
    Initiated into the art of tapestry design by Jean Picart le Doux, Poirier produced his first cartoon in 1951 : he was to produce twenty-odd cartoons during the 1950's, which led him to be considered as one of the great hopes for the new Tapestry movement. However from the 60's onwards, he returned to painting.   ‘Sérénade à la lune’ was originally a large-scale cartoon (190 x 285 cm) commissioned by Jacques Adnet in 1952. Our tapestry uses the left-hand side of the composition, reduced in height and inverted, without the moon. This fragmentation met the needs of a clientele eager for small formats.     Bibliography : J. Cassou, M. Damain, R. Moutard-Uldry, la tapisserie française et les peintres cartonniers, Tel, 1957, ill. p.182  
     
  • Eclosion (hatching)

        Aubusson tapestry woven by the Legoueix workshop. With signed label, n°1/6. Circa 1970.           It was in 1953 that Jean Picart le Doux proposed to Chaye to become his assistant and encouraged him to design tapestry cartoons : he would produce numerous bucolic cartoons, but also views of Normandy (Mont Saint Michel, Honfleur, regattas,…) from whence he came.   Here is a thoroughly characteristic cartoon of this artist who specialises in pastures, hedges and woodland scenes.   Bibliography : Simon Chaye tapisseries contemporaines, Editions Librairie des musées, 2014
  • Matines (matins)

       
    Aubusson tapestry woven in the Tabard workshop. With signed label, n°5. Circa 1970.
      Henri Ilhe, who came to the design of tapestry cartoons late on in his career, still managed to produce from 1964 onwards a considerable number (more than 120, all woven by the Tabard workshop) in an urbane style, incorporating birds and butterflies sporting in and around the gnarled branches of trees and bushes.   The title of this piece evokes a certain community of spirit with Dom Robert in the mingling of  rural concerns and monastic  life.    
     

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