255 cm

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  • Synthèse  (synthesis)

        Aubusson tapestry woven by the Hamot workshop. 1961.     Jean Picart le Doux is one of the foremost figures in the renaissance of the art of tapestry. His earliest contributions to the field date back to 1943 when he designed cartoons for the passenger ship “la Marseillaise”. A close associate of Lurçat, whose theories he would adopt (limited palette, numbered cartoons...), he was a founding member of the A.P.C.T. (Association des Peintres-cartonniers de Tapisserie), and soon after, a teacher at the Ecole Nationale Supérieure des Arts Décoratifs. The state gave him several commissions most of them at the Aubusson workshop, and some at the Gobelins : the most spectacular of these being for the University of Caen, the Theatre in Le Mans, the passenger ship France or the Prefecture of the Creuse département ... In as much as Picart le Doux’s aesthetic is close to that of Lurçat, so also is his inspiration and his subject matter, although in a register which is more decorative than symbolic, where he brings together heavenly bodies (the sun, the moon, the stars...), the elements, nature (wheat, vines, fish, birds...), man, literary quotation ...   « Synthèse » is a reworking of the motifs in « Cosmogonie » (1948) : an  arrangement of elements representing scientific knowledge, an astrolabe, a compass, a pyramid, a book of natural science...   Bibliography : Marthe Belle-Joufray, Jean Picart le Doux, Publications filmées d’art et d’histoire, 1966, n°15 Maurice Bruzeau, Jean Picart le Doux, Murs de soleil, Editions Cercle d’art, 1972, n°107 Exhibition Catalogue, Jean Picart le Doux, tapisseries, Musée de Saint-Denis, 1976 Exhibition Catalogue Jean Picart le Doux, Musée de la Poste, 1980
  • Oiseaux (birds)

       
    Aubusson tapestry woven by the Tapisseries de France cooperative. 1952.
            Perrot began his career as a cartoon designer at the end of the war, making almost 500 cartoons including numerous commissions from the state, most of which were woven at Aubusson. His style which is particularly rich and decorative is eminently recognisable : a crowd of butterflies or birds, most often, stands out against a background of vegetation, reminiscent of the millefleurs tapestries (which would also inspire Dom Robert).   If in Perrot's tapestries birds are often present (almost a trademark !) the use of landscape as a background is much rarer despite the artist having produced numerous works in gouache of his travels (Doubs, Auvergne, Collioure, the Canaries...), works which, despite their sensitivity, remain essentially little known.   Bibliography : Tapisseries, dessins, peintures, gravures de René Perrot, Dessein et Tolra, 1982      

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