La plage (the beach)
Aubusson tapestry woven by the Pinton workshop, for the Compagnie des Arts Français.
1942.
Adnet, who was placed at the head of the Compagnie des Arts Français in 1928, was keen to reinstate tapestry design as an art, distinct from painting, and a key element in interior decoration, with the constraint of numbered coloured threads (in a very similar approach to that of Lurçat). With this intention he contacted at the same time Desnoyer, Coutaud, Planson, and Brianchon. Known above all as a studio artist Desnoyer whose classicism is tempered by an intense use of colour, is an important painter of the French school between the wars. His work was woven by the Gobelins in the 1950’s.
This cartoon displays the simplified forms and saturated colours which are characteristic of Desnoyer’s paintings. As for the theme, it is a recurrent one in his work (Desnoyer lived in Sète before moving to Saint-Cyprien), even though, retrospectively, it might appear somewhat at odds with daily life under the Occupation.
Bibliography :
Exhibition catalogue La tapisserie française du moyen âge à nos jours, Musée d’Art Moderne, Paris, 1946, n°246
Cat. Exp. Le Mobilier National et les Manufactures Nationales des Gobelins et de Beauvais sous la IVe République, Beauvais, Galerie de la Tapisserie, 1997
