Brachet Jacques

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  • Hommage à Yukio Mishima (A tribute to Yukio Mishima)

       
    Tapestry woven in the Saint-Cyr workshop. With signed label, n°EA1. 1972.
       
    Jacques Brachet was an important protagonist of the « New Tapestry » movement ; woven by Pierre Daquin, exhibited by the « La Demeure » gallery in the 1970’s, his innovative and experimental approach to the medium,  from the 1950’s onwards, was recognised by the Centre International d’études pédagogiques in Sèvres, by the scenography of “La Tapisserie en France, 1945 – 1985, la tradition vivante” at the Ecole Nationale Supérieure des Beaux-Arts, and by his inclusion in various promotional events right up to the present day.   Brachet travelled to Japan in 1972. The specific techniques of his tapestry designs (as opposed to painting) : innovative use of shape and texture, themes taken from the natural world... would take off in new directions as a result. Paradoxically this particulat hommage to one of the most flamboyant and tragic figures of post-war Japan is, as a textile object, rather tame respecting the 2 dimensional norm, a classic wool weave... The brightly coloured motifs (dominated by a red disk-shaped sun) are in contrast with the white background, like a shard of light on the blade of the seppuku.   Bibliography : Madeleine Jarry, la tapisserie art du XXe siècle, Office du livre, 1974, ill. n°157 Exhibition catalogue Jacques Brachet, mémoires océanes, Angers, Musée Jean Lurçat et de la tapisserie contemporaine, 1996
  • Les épées d'or (the golden swords)

     
    Aubusson tapestry woven in the Braquenié workshop. With label. 1955.
           
    Jacques Brachet was an important protagonist of the « New Tapestry » movement ; woven by Pierre Daquin, exhibited by the « La Demeure » gallery in the 1970’s, his innovative and experimental approach to the medium,  from the 1950’s onwards, was recognised by the Centre International d’études pédagogiques in Sèvres, by the scenography of “La Tapisserie en France, 1945 – 1985, la tradition vivante” at the Ecole Nationale Supérieure des Beaux-Arts, and by his inclusion in various promotional events right up to the present day.     Before his explorations of the 70s, Brachet produced 6 cartoons in the 50s, which met with modest success (they are all unique pieces). While the martial theme, linked to the practice of fencing, is unprecedented, the aesthetic is close to that of other peintres-cartonniers of the period, such as Jullien.   Bibliography : Exhibition catalogue Jacques Brachet, mémoires océanes, Angers, Musée Jean Lurçat et de la tapisserie contemporaine, 1996  
  • Sabulum

     
       
    Tapestry woven in the Saint-Cyr workshop. With signed label, n°EA. 1973.
              Jacques Brachet was an important protagonist of the « New Tapestry » movement ; woven by Pierre Daquin, exhibited by the « La Demeure » gallery in the 1970’s, his innovative and experimental approach to the medium,  from the 1950’s onwards, was recognised by the Centre International d’études pédagogiques in Sèvres, by the scenography of “La Tapisserie en France, 1945 – 1985, la tradition vivante” at the Ecole Nationale Supérieure des Beaux-Arts, and by his inclusion in various promotional events right up to the present day.     The specific techniques of his tapestry designs (as opposed to painting) : innovative use of shape and texture, themes taken from the natural world etc. took shape in the 1970s; he was then close to Pierre Daquin, who wove a number of his tapestries. Although he is known for his marine subjects, Brachet's inspiration also turns to the mineral world (Sabulum = sand in Latin), which gives a more figurative flavour to our cartoon, with a challenge : how to translate sand into wool?     Bibliography : Exhibition catalogue Jacques Brachet, mémoires océanes, Angers, Musée Jean Lurçat et de la tapisserie contemporaine, 1996

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