Lagrange Jacques

Home|Lagrange Jacques

Format -

Height

Width -

Price -

  • Combat devant Florence (Combat before Florence)

        Aubusson tapestry woven by the Goubely-Gatien workshop. With partially erased certificate of origin. 1966.   An enthusiastic mural artist as early as 1937 (he participated in the Exposition Internationale), Lagrange designed his first cartoons in 1945, and became one of the founding members of the A.P.C.T. His early cartoons were expressionist (like Matégot and Tourlière), then his work evolved towards a stylisation (dating from his collaboration with Pierre Baudouin) which would bring him in the 1970’s to a highly refined style using very pure colours. As well as his important rôle in the tapestry renaissance movement of the period (and the state commissions that went with it), Lagrange would become a teacher at the Ecole Nationale des Beaux-Arts, a regular collaborator with Jacques Tati, a designer of monumental elements incorporated in various architectural projects and a recognised painter close to Estève and Lapicque.   In the 1960’s, the artist made various large-scale works based on the mediaeval theme of battles and tournaments, in a geometrical and stylised vision, of which the most noted example is the “Hommage to Paulo Uccello” (280 x 680 cm, of which a copy is kept at the Faculty of Science in Besançon). Here, in a style that is still figurative, Lagrange illustrates a battle scene against the city of Florence in the background with its highly recognisable monuments (the Duomo, the bell tower of the Palazzo Vecchio..) The frieze-like scene, inspired by Uccello’s paintings, shows spears, horses and knights intermingled. Of note : the marled beige and brown background against which these elements stand out is specific to Lagrange and was only rarely used by his co-designers.   Bibliography : Cat. Exh. Lagrange tapisseries, Galerie La demeure, 1968, n°4 (reproduit) Cat. Exh. Tapisseries d'Aubusson, Galerie d'Art Municipale, Luxembourg, n°4 in the catalogue (not illustrated) Robert Guinot, Jacques Lagrange, les couleurs de la vie, Lucien Souny editeur, 2005, n°40, illustrated (dimensions given 226 x 268 cm) J.J. et B. Wattel, Jacques Lagrange et ses toiles : peintures, tapisseries, cinéma, Editions Louvre Victoire, 2020
  • Banlieue (Suburbs)

     
    Aubusson tapestry woven in the Goubely workshop. With signed label. 1945.
       
    An enthusiastic mural artist as early as 1937 (he participated in the Exposition Internationale), Lagrange designed his first cartoons in 1945, and became one of the founding members of the A.P.C.T. His early cartoons were expressionist (like Matégot and Tourlière), then his work evolved towards a stylisation (dating from his collaboration with Pierre Baudouin) which would bring him in the 1970’s to a highly refined style using very pure colours. As well as his important rôle in the tapestry renaissance movement of the period (and the state commissions that went with it), Lagrange would become a teacher at the Ecole Nationale des Beaux-Arts, a regular collaborator with Jacques Tati, a designer of monumental elements incorporated in various architectural projects and a recognised painter close to Estève and Lapicque. « Banlieue » the first of my tapestries woven in Aubusson, pictures the work of travelling mattress carders using a curious contraption to comb wool which flies around the streets” explained the artist. In his early works Lagrange in a realistic, almost expressionist, vein deals in themes of life in the suburbs, the people who plied their trades (here in an amusing mise en abyme about working with wool) in daily life (cf also Guignebert “le marché aux puces” “flea market”  which is contemporary) in a completely different style from Lurçat’s cosmology. The tapestry was featured in the 1946 exhibition and two other copies are conserved at the Musée de la Chaux-de-Fonds and the Museum du Pays d’Ussel.   Bibliography : Multi-authored, Muraille et laine, Editions Pierre Tisné, 1946, ill. n°58 Madeleine Jarry, La tapisserie, art du XXe siècle, Office du livre, 1974, ill. n°69 Exhibition Catalogue Lagrange, Angers, Musée Jean Lurçat et de la tapisserie contemporaine, 1987, ill.p.16-17 Exhibition catalogue, Jean Lurçat, compagnons de route et passants considérables, Felletin, Eglise du château, 1992, ill. p.29 Robert Guinot, Jacques Lagrange, les couleurs de la vie, Lucien Souny editeur, 2005, n°28, illustrated Gérard Denizeau, Denise Majorel, une vie pour la tapisserie, Aubusson, Musée départemental de la tapisserie, ill. p.73 J.J. et B. Wattel, Jacques Lagrange ets es toiles : peintures, tapisseries, cinéma, Editions Louvre Victoire, 2020, ill. p.33, 70-71
  • le verveux, variante (fyke net, variation)

     
    Tapestry probably woven in Aubusson. Circa 1947.
        An enthusiastic mural artist as early as 1937 (he participated in the Exposition Internationale), Lagrange designed his first cartoons in 1945, and became one of the founding members of the A.P.C.T. His early cartoons were expressionist (like Matégot and Tourlière), then his work evolved towards a stylisation (dating from his collaboration with Pierre Baudouin) which would bring him in the 1970’s to a highly refined style using very pure colours. As well as his important rôle in the tapestry renaissance movement of the period (and the state commissions that went with it), Lagrange would become a teacher at the Ecole Nationale des Beaux-Arts, a regular collaborator with Jacques Tati, a designer of monumental elements incorporated in various architectural projects and a recognised painter close to Estève and Lapicque.   « Le verveux » [the fyke net] a large-scale tapestry measuring 203 x 285 cm, woven in the Tabard workshop (and whose cartoon is kept at the cité de la Tapisserie in Aubusson) is a work characteristic of Lagrange’s early style both by its theme (the anachronistic realism of evoking disappearing trades practised by simple people), and its expressionist style. This variant returns to the theme in a smaller scale version with only one human figure and a different colour scheme, however some details remain : the oil lamp, the brightly coloured fish lying on the seabed...     Bibliography : Exhibition Catalogue Lagrange, Angers, Musée Jean Lurçat et de la tapisserie contemporaine, 1987 Robert Guinot, Jacques Lagrange, les couleurs de la vie, Lucien Souny editeur, 2005 J.J. et B. Wattel, Jacques Lagrange et ses toiles : peintures, tapisseries, cinéma, Editions Louvre Victoire, 2020

Title

Go to Top