135 cm

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  • D'or et d'ombre (of gold and shade)

     
     
    Tapestry woven in the Cartron workshop. With signed label, n°1/1. Circa 1970.
          Originally a sculptor exploiting very diverse materials (steel, concrete, clay…), Borderie came to tapestry with immense enthusiasm in the 1950’s with the weaving of his first cartoon in 1957. Receiving encouragement from Denise Majorel, he was awarded the Grand Prix National de la Tapisserie in 1962. In 1974 he was appointed as director at the Ecole Nationale des Arts Décoratifs at Aubusson but he resigned from this post shortly thereafter. He designed over 500 painted cartoons, abstracts using simple shapes, shading in a limited palette of colours and weaving with gros points.   Here we find the same preoccupations with light (and shadow) as in ‘les armes de la lumière’ (and as in Matégot's work). Borderie was also woven by workshops other than Legoueix in Aubusson, Rado, Daquin and, more confidentially, Chartron in Angers (who wove Jorj Morin in particular).       Bibliography : Exhibition catalogue André Borderie « pour l’homme simplement », Angers, Musée Jean Lurçat et de la Tapisserie Contemporaine, 1998 Exhibition Catalogue André Borderie et la tapisserie d’Aubusson, Aubusson, Manufacture Saint-Jean, 2018
     
  • Poissons de la lune (Moon fish)

          Aubusson tapestry woven by the Pinton workshop. Complete with certificate of origin. Circa 1960.   Fumeron designed his first cartoons (he would ultimately make over 500) in the 1940’s, in collaboration with the Pinton workshop, he was then commissioned on numerous occasions by the state before participating in the decoration of the ocean liner “France”. His work was figurative to begin with and influenced by Lurçat, then turned towards abstraction, before coming back to a style characterised by colourful figurative and realistic depictions from the 1980’s onwards.   Beneath the red moon, fish, butterflies, a lobster all frolic in a dream-like composition typical of the artist : numerous examples of these motifs can be found for instance in  “Avant l’homme” Before man, woven by the Gobelins  (cf Exhibition Catalogue “le Mobilier National et les Manufactures Nationales des Gobelins et de Beauvais sous la IVe République”, Beauvais 1997)

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