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  • Composition aux oiseaux (composition with birds)

       
    Aubusson tapestry woven in the Laurent workshop. N°5/6. Circa 1980.
       
    A former student at the ENAD in Aubusson, Lartigaud created his first tapestry cartoon in 1968. He went on to design hundreds more, most of them woven by the Four Workshop. Although his cartoons are mainly abstract, his inspiration is varied, as shown by our cartoon, which is reminiscent of Picart le Doux.
  • Soleil couchant (Sunset)

       
    Aubusson tapestry woven by the Four workshop. n°2/6. Circa 1970.
        Fumeron designed his first cartoons (he would ultimately make over 500) in the 1940’s, in collaboration with the Pinton workshop, he was then commissioned on numerous occasions by the state before participating in the decoration of the ocean liner “France”. His work was figurative to begin with and influenced by Lurçat, then turned towards abstraction, before coming back to a style characterised by colourful figurative and realistic depictions from the 1980’s onwards.   A recurrent design motif in Fumeron’s work, the setting sun (orange or red) here appears through a screen of trees in a cartoon which verges on abstraction.  
     
     
  • Sarabande

     
    Aubusson tapestry woven in the Pinton workshop. With label. 1954.
            After the traditional completion of some mural paintings in the 1930’s, he then arrived in Aubusson in 1936, became closely associated with Picart le Doux in 1947 and then joined the A.P.C.T. (Association des Peintres-Cartonniers de Tapisserie). From then on he devoted himself to tapestry with zeal and designed 167 cartoons, at first figurative following on from Picart le Doux and Saint-Saëns, then, influenced by the scientific themes that he dealt with, tending more towards abstraction. In 1981, two years before his death, he donated his studio to the Musée départemental de la tapisserie in Aubusson.   Already, before « Passacaille » which would be produced in 1955, Jullien here reveals his interest in dance and music, recurrent themes although rarely illustrated in such an explicit way, with the guitar and oboe playing as if by magic. Might it be that the notes of the sheet-music are suggested by the bird outlines pictured along the parchment-phylactery ?         Bibliography : Exhibition catalogue Hommage à Louis-Marie Jullien, Aubusson, Musée départemental de la Tapisserie, 1983
     

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