Les chouettes (the owls)
Tapestry woven by the de Wit workshop.
Circa 1960.
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Camargue
Aubusson tapestry woven in the Pinton workshop. Complete with certificate of origin signed by the artist n° 4 of 6. 1963. With a taste for the large-scale, influenced by Untersteller at the Ecole des Beaux Arts, Hilaire undertook numerous mural paintings. In the same vein, beginning in 1949, along with a number of other artists stimulated by Lurçat, (he would join the latter at the A.P.C.T. Association des Peintres-Cartonniers de Tapisserie) he designed a number of cartoons some of which were woven at Beauvais or at Les Gobelins. His figurative cubist-influenced style (which sometimes approaches abstraction) is immediately recognisable in his tapestry cartoons : in this one, but also for example in the one designed for the Salon Fontainebleau for the ocean liner France, “Sous-bois” (undergrowth) (190 x 988 cm, Pinton frères, reproduced in Le paquebot France, Armelle Bouchet Mazas, Paris 2006p. 169) where shapes and colours are fragmented in a kaleidoscopic fashion. “Camargue” is reproduced in the “Tapisserie d’Aubusson” sample collection of the Guéret Chamber of Commerce and Industry published in the early 1980’s to illstrate the technical competence of the Aubusson workshops. Bibliography : Exhibition catalogue Hilaire, œuvre tissé, galerie Verrière, 1970 (ill.) Exhibition catalogue, du trait à la lumière, Musée Départemental Georges de la Tour at Vic-sur-Seille, 2010.
