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  • Composition

     
    Aubusson tapestry woven by the Caron workshop. Circa 1970.
         
  • L’oiseau de feu (the firebird)

          Aubusson tapestry woven in the Pinton workshop. With signed label. 1963.       With a taste for the large-scale, influenced by Untersteller at the Ecole des Beaux Arts, Hilaire undertook numerous mural paintings. In the same vein, beginning in 1949, along with a number of other artists stimulated by Lurçat, (he would join the latter at the A.P.C.T. Association des Peintres-Cartonniers de Tapisserie) he designed a number of cartoons some of which were woven at Beauvais or at Les Gobelins.   “L’oiseau de feu »  is a rare example of the dynamic in works by Hilaire who has accustomed us to more static subjects like hothouses and  forest scenes : his rather fragmentary and kaleidoscopic style is however admirably suited to conveying the idea of movement.   Bibliography : Exhibition catalogue Hilaire, œuvre tissé, galerie Verrière, 1970, ill. Exhibition catalogue, du trait à la lumière, Musée Départemental Georges de la Tour, Vic-sur-Seille, 2010.    
  • Belle entente (nice relationship)

     
    Tapestry woven in the DMD workshop, Tournai. With label. 1989.
       
  • Double amitié (double friendship)

     
    Aubusson tapestry woven in the Four workshop. With signed label, n°EA1. 1972.
       
  • Oiseaux (birds)

       
    Aubusson tapestry woven by the Simone André workshop. Circa 1950.
       
  • Chardons aux papillons blancs (Thistles with white butterflies)

       
    Aubusson tapestry woven by the Caron workshop. With signed label, n°EA. Circa 1970.
     
       
  • Sérénade à la lune (moon serenade)

       
    Aubusson tapestry woven by the Braquenié workshop. N°IV/VI. 1952.
         
     
  • Kalinka

     
    Aubusson tapestry woven in the Andraud workshop. With label, n°4/6. 1980.
           
    Established in the Creuse region of France, he started working on tapestries in 1965 with the Andraud workshop for whom he designed cartoons inspired by the local flora, in a decorative style which can be situated somewhere between that of Dom Robert and Maingonnat, a world away from his landscape paintings which were strongly influenced by the impressionists.   The title of this piece, which will be evocative to lovers of folk-song, is the name (but in Russian !) of the subject illustrated : kalinka meaning guelder-rose.
  • Idylle pastorale (pastoral idyll)

     
    Aubusson tapestry. Circa 1950.
         
  • Composition

     
    Aubusson tapestry woven in the Henry workshop. With signed label, n°1/1. 1984.
       
       

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