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  • La chèvre (the goat)

          Aubusson tapestry woven by the Picaud workshop. With signed label, n°1/6. Circa 1980.    
  • Coq juin (june cock)

         
    Aubusson tapestry woven in the Goubely workshop. With label, n°3/6. 1983.
       
     
     
  • Le grand-duc (the eagle-owl)

     
     
    Aubusson tapestry woven in the Tabard workshop. With  label. Circa 1950.
           
  • Les armes de la lumière (weapons of light)

     
     
    Tapestry woven in the Cauquil-Prince workshop. With signed label, n°1/1. Circa 1960.
       
  • Byzance (Byzantium)

       
    Aubusson tapestry woven by the Four workshop. With label, n°3/6. Circa 1980.
          Toffoli produced a large number of tapestries in collaboration with the Robert Four workshop from 1976 onwards, designing several hundred cartoons. In them we find post-cubist transparent effects which are characteristic of the artist, as indeed are the subjects treated. Thus Toffoli’s tapestries do not differ from his painting : here the dome of Hagia Sophia  and the Bosphorus transport the observer elsewhere.
  • Procyon

     
       
    Aubusson tapestry woven by the Legoueix workshop. With signed label, n°3/4. 1968.
       
  • Algues en profondeurs (algae in the depths)

         
    Aubusson tapestry woven by the Pinton workshop. With signed label, n°1/6. Circa 1960.
         
  • Papillon (butterfly)

       
    Aubusson tapestry woven by the Four workshop. N°3/6. Circa 1970.
      Edmond Dubrunfaut can be considered as the great 20th century renovator of the Belgian tapestry tradition. He founded a weavers’ workshop in Tournai as early as 1942, then, in 1947, created the Centre de Rénovation de la Tapisserie de Tournai. He produced for various Belgian workshops (Chaudoir, de Wit,...) numerous cartoons destined notably to adorn Belgian embassies throughout the world. Moreover, Dubrunfaut was a teacher of monumental art forms at the Academie des Beaux-Arts de Mons from 1947 to 1978 and then, in 1979, contributed to the creation of the Fondation de la tapisserie, des arts du tissu et des arts muraux de Tournai, a veritable heritage centre for the art of the tapestry in Wallonie. His style, characterised by figuration, strong colour contrasts, draws direct inspiration from nature and animal life (as with Perrot, for example, this artist has a net predilection for birdlife).   Dubrunfaut, as well as having his works woven in Belgium, gave numerous cartoons to the Four manufacture in Aubusson : birds and butterflies combine with exotic flowers in sharp, bright colours on a midnight blue background.   Bibliography : Exhibition catalogue Dubrunfaut et la renaissance de la tapisserie, tableaux, dessins, peintures, Musée des Beaux-Arts de Mons, 1982-1983
  • Composition

     
     
    Aubusson tapestry woven in the Pinton workshop. With  label, n°1/6. Circa 1970.
           
  • Rives (shores)

     
     
    Aubusson tapestry woven in the Goubely workshop. With  label. Circa 1955.
           

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