Composition
Tapestry, probably Aubusson woven.
Circa 1970
If Lanskoy’s work starts to evolve towards the abstract from the beginning of the 1940’s, his first cartoons date from the 1950’s : thus they are all abstract. Originally working with Picaud’s workshop at Aubusson, he would go on to collaborate with Maurice Chassagne (on whose productions there never appears any indication of the workshop nor certificate of authenticity), but his work was also woven by the Manufactures Nationales, and “Consolation” would be hung in the ocean liner “France”, undeniable proof of official recognition for this artist. A major protagonist of lyrical abstraction whose work was championed by the major art galleries of the period (Jeanne Bucher, Louis Carré), Lanskoy whose luxuriant painting style employed a festival of colours (pinks, mauves and oranges are frequent) avoided his characterestic layering of paint when he produced work for weaving. In the same more contained more vein, the forms employed tend to be less exuberant.
