Voltige (acrobatics)
Aubusson tapestry woven by the Pinton workshop.
With signed label, n°5/6.
1969.
Jean Picart le Doux is one of the foremost figures in the renaissance of the art of tapestry. His earliest contributions to the field date back to 1943 when he designed cartoons for the passenger ship “la Marseillaise”. A close associate of Lurçat, whose theories he would adopt (limited palette, numbered cartoons…), he was a founding member of the A.P.C.T. (Association des Peintres-cartonniers de Tapisserie), and soon after, a teacher at the Ecole Nationale Supérieure des Arts Décoratifs. The state gave him several commissions most of them at the Aubusson workshop, and some at the Gobelins : the most spectacular of these being for the University of Caen, the Theatre in Le Mans, the passenger ship France or the Prefecture of the Creuse département … In as much as Picart le Doux’s aesthetic is close to that of Lurçat, so also is his insipiration and his subject matter, although in a register which is more decorative than symbolic, where he brings together heavenly bodies (the sun, the moon, the stars…), the elements, nature (wheat, vines, fish, birds…), man, literary quotation …
Corals, fish and harps (or lyres) are recurring themes in the artist’s work. And whilst Picart le Doux is the artist who most frequently used red backgrounds, he did not hesitate to employ them even for marine subjects.
Bibliography :
Marthe Belle-Joufray, Jean Picart le Doux, Publications filmées d’art et d’histoire, 1966
Maurice Bruzeau, Jean Picart le Doux, Murs de soleil, Editions Cercle d’art, 1972, n°177
Exh. Cat. Jean Picart le Doux Tapestries, Musée municipal d’Art et d’Histoire, Saint-Denis, 1976
Exh. Cat. Jean Picart le Doux, Musée de la Poste, 1980
