Composition
Tapestry woven by the Saint-Cyr workshop.
With its bolduc Signed, no. EA1.
Circa 1980.
Perhaps it was her proximity to Pierre Vago, the architect of whom she was the wife, which led Nicole Cormier to take an interest in mural art (cf. « Soleil levant » at the University of Villeneuve d’Ascq); in the 1970s, she produced a few hangings based on felt, and sewn cotton pieces, and had a few Cartoons woven at Pierre Daquin, in particular.
